![]() “That’s the poster quote,” said Wheatley.Īfter more chatter about rolling around in the dirt and debris of the warehouse floor, Copley grabbed a microphone and said, “I don’t feel sorry for any of these people, because I was set on fire.” He noted how the fire stunt was saved until the end of the shoot, “just in case, I still think.” It’s like a really long, drawn-out game of laser tag.” ![]() OK, hook me up and I’ll get shot again.’ And you just have to keep going. Noting how much time the cast spent rolling around on the ground of the warehouse where they were shooting the film and how spatial orientation to the others often became a key point, Larson added, “You’re in the warehouse and you realize, ‘Oh, there’s no place for me to hide, so I guess I’m going to get shot again. “The whole process was incredible, but I don’t know if you already talked about that.” ![]() She continued, “I’m a huge fan of Ben and Amy and when I read the script it had the two things that I love so much, which is really entertaining on the surface and then has something deeper underneath it. Turning toward the house she added, “because this is gold.” “I love everything that Ben says, and I’m annoyed that I can’t listen to you,” Larson noted with an upbeat effervescence. With the filmmakers all lined up in a row onstage, and something slightly muffled in the auditorium’s sound system, after a few minutes Copley and Larson noted that they couldn’t hear what Wheatley was saying at the other end of the stage. “Free Fire” manages to be both a gritty, tense crime standoff and an outrageous comedy.Ĭoming back out afterward for a Q&A, Wheatley, whose previous films include “Kill List,” “Sightseers,” “A Field in England” and “High-Rise,” said, “With all the films we’ve made, we’ve thought, ‘What do we want to see?’ And I wanted to see this.” The film is extremely violent but very exuberant, maintaining just the right cartoonish edge. As the characters become increasingly debilitated, wounded but still going, they simply drag themselves across the floor. There is a madcap sense of invention to the shifting dynamics of the room and the unending series of standoffs. The film becomes an uproarious series of reorientations, as there are roughly two sides to the conflict, then for a time three and increasingly every person out for themselves.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |